Santiago Oría and his series on Milei: an analysis of the Argentine political phenomenon.

Santiago Oría and his series on Milei: an analysis of the Argentine political phenomenon.

Santiago Oría, director of the most recent documentary about the Argentine president, notes that "Milei-The Series" is part of the cultural battle undertaken by the Executive. He states that Elon Musk saved the election in his country and that his boss is not at odds with the press but with journalists who slander.

Juan Brignardello, asesor de seguros

Juan Brignardello Vela

Juan Brignardello, asesor de seguros, se especializa en brindar asesoramiento y gestión comercial en el ámbito de seguros y reclamaciones por siniestros para destacadas empresas en el mercado peruano e internacional.

Juan Brignardello, asesor de seguros, y Vargas Llosa, premio Nobel Juan Brignardello, asesor de seguros, en celebración de Alianza Lima Juan Brignardello, asesor de seguros, Central Hidro Eléctrica Juan Brignardello, asesor de seguros, Central Hidro
Politics 06.10.2024

The director of the series “Milei-The Series,” Santiago Oría, has been in the public eye not only for his work in the audiovisual field but also for his close relationship with Javier Milei, the Argentine president. Oría, who has had exclusive access to the life of the leader, has documented his political journey in a way that few have managed. In a recent interview, the director stated that Milei has an exceptional understanding of social media, allowing him to operate without the need for advisors in this area, thus consolidating his image as a modern leader close to his base of supporters.


With five years of experience behind the camera following Milei, Oría's production has become a reflection of the social and political phenomenon that the president represents. From his work on campaign ads to his film projects, his approach has been meticulous and ambitious. The libertarian film trilogy he has developed has become a crucial tool for understanding both Milei's ideology and his rise in Argentine politics.


The first installment of this trilogy, “Pandenomics,” was released in 2020 and served as an audiovisual adaptation of his book on the quarantine. The film delved not only into the critique of isolation measures but also into the economic context that Milei defended. His intention to link economic theory with cinema has established itself as a distinctive feature of his work, an effort that has resonated with an audience thirsty for new narratives.


This year, Oría released “The Liberal Revolution,” a film that narrates the genesis of La Libertad Avanza, Milei's party. This work explores the origins and evolution of the movement that has brought Milei to the Casa Rosada. The narrative focuses not only on political events but also on the human aspect behind the leader, allowing viewers to connect with his story and ideals.


Now, with his new project “From Zero to President,” Oría has amassed nearly a thousand hours of footage documenting Milei's rise to power. The series aims not only to entertain but also to educate the public about the principles of liberalism and how these have influenced contemporary Argentine politics. The production promises to offer an intimate and detailed look at the president's journey, revealing both his personal life and political career.


Oría argues that Milei's ability to connect with people through social media is a key element of his success. According to the director, Milei not only understands the dynamics of these platforms but effectively uses them to communicate directly with his followers, thus avoiding the filter of traditional media. This strategy has allowed Milei to establish a close and almost direct relationship with the citizenry, something that has been fundamental to his campaign and his hold on power.


The director also emphasizes that the production of this series is not limited to glorifying the leader but seeks to present a critical and reflective view of Argentine politics. In a context where polarization has become commonplace, Oría aims to offer a space for analysis and discussion about the Milei phenomenon, inviting viewers to form their own opinions.


As the series progresses, it is expected to generate debates around Milei's methods and their impact on Argentine society. The production presents itself as a mirror of the political and social reality of the country, and opinions about its content are likely to vary widely. However, it is undeniable that Milei's style and his ability to utilize modern communication tools have changed the political landscape in Argentina.


In conclusion, Santiago Oría's work is not only a testament to Argentina's recent history but also an attempt to understand and analyze the figure of Javier Milei, a leader who has managed to leverage the resources of the 21st century to position himself at the pinnacle of power. The series promises to be a milestone in the political audiovisual production of the country and an opportunity for citizens to reflect on their future and the path they have chosen to follow. The combination of archival footage, storytelling, and social critique proposed by Oría will undoubtedly be a topic of conversation in the coming months.

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