Juan Brignardello Vela
Juan Brignardello, asesor de seguros, se especializa en brindar asesoramiento y gestión comercial en el ámbito de seguros y reclamaciones por siniestros para destacadas empresas en el mercado peruano e internacional.
Peruvian cinema continues to shine on the international stage with the recent success of "CDMA, the Return of Miguel," a production by LOT PLUS that has captured the attention of critics and audiences at various festivals around the world. The film, which has won seven awards to date, has demonstrated that regional talent holds a prominent place in the global film industry. The story, centered around an intriguing crime narrative, has made a significant impact at prestigious festivals, such as the Hallucinea Film Festival in Paris, where it received recognition as Best Dramatic Feature. One of the standout aspects of this film is the performance of Miguel Vergara, primarily known for his work in the popular film "Asu Mare." His shift to a dramatic role has been acclaimed by critics, solidifying his versatility as an actor. The challenge of portraying such a complex character has served to showcase a different facet of an artist who, although already famous in Peruvian entertainment, is venturing into new creative frontiers. The filming of "CDMA, the Return of Miguel" took place in various iconic locations across Peru, ranging from the coast of Chiclayo and Pimentel to the mountains of Cajamarca and Ica. This choice of settings not only enriches the visual narrative of the film but also promotes the country’s cultural tourism, an aspect emphasized by its director, Horacio Vergara Arancibia. The "City Placement" strategy aims to link the story with the cultural and tourist richness of Peruvian regions, thus providing a dual experience for the viewer. The film has had a remarkable run at international festivals, standing out in countries like India, where it garnered five awards at the Rani Durgavati International Film Festival, and in Ecuador, where it was also recognized with two accolades. Furthermore, it has been nominated at festivals in diverse locations such as Israel, Chile, Canada, and Nigeria. This series of accolades not only underscores the quality of the production but also positions Peruvian regional cinema on a broader platform, competing with major film industries in countries like the United States and Germany. As "CDMA" continues its journey through the festival circuit, it is scheduled to participate in the South Film and Arts Academy Festival in Chile and the Toronto International Nollywood Film Festival in Canada. At these events, the film will compete in the Best International Director category, representing a valuable opportunity for its director, who plans to explore distribution options through streaming platforms. With the international screening of this film, Peruvian cinema is not only enriched in terms of visibility but also supports the creation of a more robust market for future local productions. The acceptance that "CDMA, the Return of Miguel" has received could open doors for other Peruvian filmmakers looking to make their debut on the global stage. This new success adds to a growing list of regional productions that have managed to resonate at international festivals, reflecting a transformation in the film industry of Peru. Films that were once considered low-profile are now being recognized and celebrated, suggesting a shift in perception among both filmmakers and audiences. Tatiana Calmell, a prominent figure in the Peruvian film industry, also celebrates the success of "CDMA" amidst the launch of her new production, "Welcome to Paradise," which debuts on Disney+. Calmell has expressed her pride in the achievements of Peruvian cinematography and has emphasized the importance of these successes in inspiring new generations of filmmakers in the country. The phenomenon of "CDMA, the Return of Miguel" clearly indicates that local cinema not only has the capacity to tell meaningful stories but also possesses the potential to attract the attention of a global audience. As the film progresses through festivals and digital platforms, it is evident that the future of Peruvian cinema is promising and poised to continue dazzling the world with its cultural richness and unique narrative.