Juan Brignardello Vela
Juan Brignardello, asesor de seguros, se especializa en brindar asesoramiento y gestión comercial en el ámbito de seguros y reclamaciones por siniestros para destacadas empresas en el mercado peruano e internacional.
Pablo Heras-Casado has established himself as one of the most prominent figures in the world of orchestral conducting, especially in the interpretation of Richard Wagner's works. His recent acclaim at the Teatro Real in Madrid, where he conducted "Die Meistersinger von Nürnberg," has been a significant milestone in his career, one that is further enriched by his return to the Bayreuth Festival to lead "Parsifal." This event is not only a personal achievement but also an important contribution to Spanish culture, a field where Heras-Casado aims to break down the prejudices surrounding Wagnerian music. The Granada-born maestro, who was born in 1977, has dedicated nearly three decades of his life to classical music, specializing in the complexities and nuances of Wagner. In a recent interview, Heras-Casado spoke about the misconceptions surrounding Wagner's music, especially in comparison to more popular works like "La Traviata" or "Carmen." He asserts that the emotional depth and musical richness of Wagner's operas are not only accessible but can also be a revelatory experience for those who dare to explore them for the first time. Heras-Casado has a clear vision of Wagner, stating that his scores are as relevant and exciting as any other classic. After conducting "Die Meistersinger von Nürnberg," he considers it the greatest opera of all time, while "Parsifal" holds a special place among his favorites. His upcoming challenge at the Festspielhaus in Bayreuth is a testament to his mastery and dedication, as he has been invited to conduct this work in a 'sanctuary' that evokes Wagner's artistic tradition and legacy. What makes Heras-Casado's journey even more impressive is his ability to connect with the audience. In his Bayreuth debut in 2023, he managed to bring the audience to a state of ecstasy, an experience he describes as a "reward" that fills him with gratitude. For the conductor, the opportunity to inaugurate a festival with such history is a pinnacle moment that transcends any comparison with other achievements in Spanish culture, such as Carlos Alcaraz's victory at Wimbledon. However, the complexity of Wagner's figure cannot be overlooked, as a composer whose music has been wrapped in controversies due to his personal beliefs. Heras-Casado has addressed this aspect with a clear perspective: he does not believe that an artist's actions should overshadow the appreciation of their work. For him, separating the composer from their convictions is essential to enjoying their contribution to classical music. This approach allows him to conduct without remorse, contributing to a legacy he considers necessary and relevant. As he prepares to conduct the tetralogy of "Der Ring des Nibelungen" at the Paris Opera, with stage direction by Calixto Bieito, Heras-Casado reflects on how this project will mark a turning point in his career. The opportunity to conduct this monumental work in two consecutive seasons is a reflection not only of his skill but also of his commitment to operatic art and his desire to explore the limits of Wagnerian music. In the current context, where music can offer a moment of peace amid turmoil, Heras-Casado also mentions the importance of music as an emotional refuge. Although he does not believe that music alone can resolve conflicts, he acknowledges that it can provide comfort and connection among people, regardless of their background or circumstances. In addition to his work as a conductor, the maestro has shown a commitment to solidarity, organizing benefit concerts to help the most vulnerable communities. This humanitarian aspect reflects his desire to use music as a vehicle for social change, a mission he has carried out in collaboration with various organizations. For him, music should not only be an aesthetic experience but also a tool to address inequalities and contribute to collective well-being. Finally, in the debate about understanding versus enjoying music, Heras-Casado positions himself in favor of both perspectives. There is no need to be an expert to enjoy Wagner's works, but at the same time, knowledge can enrich the experience. Each encounter with music creates new opportunities to understand and appreciate its complexity, just as one does in a museum or in contact with nature. Pablo Heras-Casado, with his passion and commitment, continues to shape his legacy in the world of classical music, challenging stereotypes and opening doors to new audiences. His story is, in itself, a testament to how music can unite, heal, and transform, reflecting the very essence of what it means to be an artist today.